Showing posts with label studies. Show all posts
Showing posts with label studies. Show all posts

Sunday, August 24, 2008

What about gouache?

Gouache is my favourite medium for quick colour studies. The main advantages are speed and opacity. It takes just minutes to get going, and unlike watercolours, the paints are opaque and can be painted onto any old paper, white or tinted or ordinary brown, going straight to lights and darks and middle tones without fuss or bother.

Good quality gouache paints go on smoothly and spread easily and are a pleasure to use. Only a small amount of each colour is needed on the palette. These shown here have good coverage and tinting strength -- a little goes a long way.

The paints are not waterproof which is both a plus and a minus. Any spills or splashes are easily cleaned up, unlike oil and acrylic, which need more advance preparation. Even if the paint dries accidentally in a brush it can be washed out. Also, only one brush is needed. The sable brush shown here is the only brush I've used for gouache for several years now.


The disadvantage of not being waterproof is that dried paint already on the paper may dissolve when overpainting. This doesn't bother me, I just accept the new mix or paint more thickly, depending on what I'm aiming for.

The gouache colour studies shown below, Road 1 and Road 2, both about 8.5 x 11", were each done in about 30 minutes. They are only studies and I confess I don't think of my own gouaches as finished pieces, they're just steps on the way to something else. Many painters take gouache to a high level of finish.

So, in a nutshell, for me gouache is a great way to try out ideas and to generate new ideas, because one thing does have a way of leading to another.




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Saturday, July 5, 2008

Picasso's way of working





In The Family of Saltimbanques Picasso achieved a universal quality, mysterious and poignant, that lifts it out of the realm of ordinary genre. His studies for the painting show how he worked, with numerous studies of variations of the group and of the individual figures. Many of them are available at the click of a mouse in the Online Picasso Project (list of links below).

[Edited 17 June 2013: Unfortunately the Online Picasso Project has since been closed to the public.]

It could have been a sketchbook drawing at the races that inspired the picture. The first compositional study shows the main grouping, without the woman at lower right, with horse-racing in the background. In the final painting the background is plain and featureless; just barren earth and sky, similar to the "Boy with a Horse".

Seeing Picasso's approach is nothing short of inspiring. It's an encouragement to stop labouring over a study that's going nowhere and instead to do another, and another and another.

And too, as an OCA student, it validates the OCA's teaching methods. You have to do "studies" from the first project in the first painting course. At the beginning I found it irritating -- why do yet another charcoal drawing when I already have a perfectly good one? But over time it has become second nature and, although I'll never be another Picasso (sad to say), I'm attempting things I would never have done before and I can see the value of all the drill.

Links to the Online Picasso Project: Click on the picture to see a bigger version. Also, you will surely find more sketches and studies by looking through the catalogue for 1905.
Boy Leading a Horse
http://picasso.csdl.tamu.edu/picasso/WorksInfo?CatID=OPP.06:012

1905

Acrobat and Young Harlequin
http://picasso.csdl.tamu.edu/picasso/WorksInfo?CatID=OPP.05:004

Boy with Dog
http://picasso.csdl.tamu.edu/picasso/WorksInfo?CatID=OPP.05:016
Two Acrobats with Dog
http://picasso.csdl.tamu.edu/picasso/WorksInfo?CatID=OPP.05:017
Bouffon with Young Acrobat
http://picasso.csdl.tamu.edu/picasso/WorksInfo?CatID=OPP.05:010
Study for Saltimbanques
http://picasso.csdl.tamu.edu/picasso/WorksInfo?CatID=OPP.05:014
A sketchbook study for the Saltimbanques
http://picasso.csdl.tamu.edu/picasso/WorksInfo?CatID=OPP.05:110

Gros Buffon Assis
http://picasso.csdl.tamu.edu/picasso/WorksInfo?CatID=OPP.05:034
Young Girl with Dog
http://picasso.csdl.tamu.edu/picasso/WorksInfo?CatID=OPP.05:272
Mallorquine
http://picasso.csdl.tamu.edu/picasso/WorksInfo?CatID=OPP.05:005

The Family of Saltimbanques
http://picasso.csdl.tamu.edu/picasso/WorksInfo?CatID=OPP.05:002