Monday, March 24, 2014

Reflecting on the time-based Plumbago


This mini-project consisted of taking a photograph of one flower-head every afternoon from about the same place until it finished flowering. Flowering lasted for twelve days and I photographed it every day except Day 11. If the light wasn’t good from one angle I would move slightly to get a better view. The branch moved around a bit too. On one occasion a gust of wind blew it up against another branch where it stuck because of the stickiness of the sepals. Later it freed itself. Also it grew longer and sank down nearer to the ground over the twelve days of observation.

Time-based Plumbago Days 1-12, click to enlarge
I was curious what the daily photograph would elicit, if anything. One obvious conclusion is that it’s a form of observation with the main value being that the photographs form a record. Just the existence of a record has value because usually there is no record.

I observed something I had not noticed before, which is that the flowers come out in tiers starting at the base, approximately one tier (or turn of the spiral) per day. On this flower-head some of the earlier flowers died off before those at the tip came out. Some of them were knocked off by rain. On sunny days the small butterflies noted a few months ago were out in force.

I thought about how plants operate on a different time-scale to us, how they work over an extended time period of days, months and years, which makes some changes almost imperceptible without a written or visual record.  I thought of Stone Age people in Ireland five thousand years ago who worked out the movements of the sun throughout the year and recorded their observations and predictions in various structures and rock drawings, an incredible feat considering they had no sophisticated instruments. To a Stone Age astronomer, the fact that certain flowers come out at the rate of one tier a day could be crucial information. All sorts of seemingly minor changes in the environment could contribute to the ability to arrive at correct conclusions which would then enable them to predict seasons and prepare for them. To observe the changes in the angle of the rising sun over the course of many years, to draw the correct inferences – it’s nothing short of awe-inspiring.

Back to the Plumbago … the buds opened, the flowers came out and lasted for a few days before withering. That brings to mind the cycle of life and the flow of life. Life flows … as long as there’s flow, there’s life. When the flow stops the organism dies. Everything must keep moving. Can one say that life equals flow?


Geranium opening by Andrew Dunn, from Wikipedia


Finally, time lapse photography is a wonderful tool for observing plants. As the Wikipedia article says, “The effect of photographing a subject that changes imperceptibly slowly, creates a smooth impression of motion.” Above, a time-lapse photograph of a geranium courtesy Andrew Dunn. It shows the flower opening over two hours compressed into a few seconds.

Tuesday, March 18, 2014

Time-based Plumbago 4

Day 10 (after rain)





Day 11

No Photo



Day 12

Flowering on this flower-head is now finished so the series comes to an end at this point. Thanks for reading and for following along. Sometime soon I will post reflections about doing the series.



Sunday, March 16, 2014

Time-based Plumbago 3

Day 7
Day 8





Day 9
This is Post #3 in a series where I'm following a single flower-head in the garden (please excuse the bad photos). The flower-head is beginning to fade while a second one is coming out below. More to come ...

Previously: Time-based Plumbago 1, Time-based Plumbago 2

Saturday, March 15, 2014

Time-based Plumbago 2

Day 4

Day 5
Day 5 after rain
Day 6

This is Post #2 in a series where I'm following a single flower-head in the garden (please excuse the bad photos). More to come ... .

Previously: Time-based Plumbago 1

Friday, March 14, 2014

Time-based Plumbago 1


Day 1

Day 2




Day 3

I'm following a single flower-head in the garden (please excuse the bad photos). More to come ... .


Monday, February 17, 2014

Alladin and Carnival 2014 show at 101 Art Gallery

I

Some of my work will be in 101 Art Gallery's Carnival 2014 show from February 20 to March 13.

The main show at the gallery is 45 works by M. P. Alladin (1919 -- 1980), paintings and drawings from the 1940s that were in his studio when he died. I caught a glimpse of them last week and they are just beautiful, a rare experience. I hope the National Museum buys a good few so that the people of Trinidad and Tobago can enjoy them in perpetuity. Not to be missed. A print-on-demand book would be great too!

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Monday, February 10, 2014

Improved screen drying box

Referring to the post Drying an emulsion-coated screen, the box described there worked well except for one thing: the front flaps need to be taped closed after the screen is put inside, before the box is covered with heavy cloth. The trouble is, the tape didn't stick to the cardboard for long. A good deal of new tape was needed each time. So I've modified the box, as follows:

Photo 1: Sticky Back Velcro
®
I cut some small tabs of canvas and glued them to the box with white glue and let it dry overnight. Then I cut a strip of self-adhesive Velcro (Photo 1) and applied one side to the canvas tab and the other side to the corresponding position on the box when the flap is closed. Photo 2 shows the tabs folded back, with one half of the Velcro adhered. Photo 3 shows the tabs closed. They secure the front flaps neatly and quickly. They don't exclude all light however so the front of the box still needs to be covered with a heavy dark cloth.

Photo 2: Tabs folded back showing Velcro strips in place
Photo 3: Showing how the tabs close the front flaps

Monday, February 3, 2014

Two journal pages

Continuing the "news" journal with photos clipped from the newspaper  --

Mary Adam journal page January 2014 "Intractable"
January 2014, Intractable

Mary Adam journal page Jan 2014, Pre-Carnival
January 2014, Pre-Carnival
This (20-page) journal is now full except for the last page. I haven't decided yet whether to continue in a new one, may well do so, in which case I would make up the book first. Other than that I'm clearing my studio, throwing some things out and shifting things around in preparation for a lot of work in the coming months.

Monday, January 20, 2014

Bog Cotton

Mary Adam, Bog Cotton, acrylic on canvas, SOLD
A commissioned painting. Bog Cotton is a sedge which grows in marshy places in northern temperate climates -- the sort of place where I grew up, making this painting an extra-special undertaking.


Monday, January 13, 2014

Robert Adams on art and words


 

Have just watched the Robert Adams video above and found loads in it to share. I love his "ordinary" photographs, not so much the ones of deforested devastation (but I'm not a photographer). Among other things, what he says about writing about art resonates with today's art scene, where it often seems that artists' statements are as important as the art:
"You get to the point where you find something that's your own ... and if you don't find the audience for it you're going to burst. No publisher wants to touch just pictures. Publishers ... they've gotta have words. People ... it's something very primal. Most people are terrified in front of visual things ... they want to talk. Say something! Just say anything to let the air out. You can't talk about it [your own work?] -- if you could talk about it that's what you'd do. Robert Frost ... somebody came up to him and said, tell me what you said in this poem. He said, you want me to say it worse? [LOL] Hopper was known to spend days to come up with a tiny paragraph because it has such a potential for screwing things up. Every once in a while somebody will help. And that's what John Szarkowski did, he wrote the introduction to 'The New West'. I'm so grateful, even now, all these years later, that he did it. "
Also found the full text of an interview with Art21 which begins as follows:
ART21: What would you say making art is about, for you?
ADAMS: Recently I saw someone—I can’t remember who it was—who said that the essence of the creative act is determining what the question is. Once you have the question, then it’s all pretty much in the can. I believe if your list of questions is long, that shows you’re on top of this.
The link for the rest is
http://www.art21.org/texts/robert-adams/interview-robert-adams-photography-life-and-beauty 

On another note, here's a link to Part 1 of an excellent tutorial on Airbrushing, beginning with what kind of equipment to buy:  http://syntheticskystudios.blogspot.com/2014/01/airbrushing-101.html
It's something I'd like to do but doubt I'd take it on at this stage, I have enough on my hands with printmaking and painting issues to sort out.

Monday, January 6, 2014

A journal page


Mary Adam art journal page

A page from a type of small journal I've been keeping recently (the page is half letter-size). I did it in 2012 for a few days when doing a short online workshop in Journaling and afterwards put it aside. Looking back at last year's pages, there were ideas which I didn't realize at the time. Now I can see a way of using it that will fit in with the other things I do. The idea is to clip things from the daily paper and make random notes while at the same time thinking about design. It can be a multi-purpose occasional armchair activity in the evenings to keep aware of what's going on in the world.