Impatiens, study, black and white Conté on brown paper, about 18 x 9"
How do I know something is the best I can do? This might sound like an excuse, but it’s not – everything can’t be “best”.
But that’s not what I meant to say. What I was thinking is . . . when I start to do something, it has a better chance if my intention is simple and clear. Not a great vague thing like “best I can do” (though that too, in a corner of my mind), but something much less ambitious. In a still life it might be . . . correct observation. The act of correct observation. When the going gets rough if I can remember to run this through my mind it nearly always helps.
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